
New Conversations:
Poetry and Music
Students in my literature course Writing As Resistance practice approaching poetry of typically marginalized voices by listening to how these writers represented themselves ad their communities. Our collaboration with Girls Write Now offered my students a chance to put into practice what it meant to listen. Each student group read a poem by someone served by Girls Write Now and responded by writing a sonic piece.
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*Girls Write Now is a nonprofit organization serving girls and gender-expansive youth who attend New York City public schools and are from historically and systemically underserved communities."
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The following poems are taken from Girls Write Now On the Art of the Craft: A Guidebook to Collaborative Storytelling. ​
girlswritenow.org
Ancestral Hunger Feeds on Hollow Memories
by: Kayla Morgan, 2023
A free-verse poem about the bittersweetness of memories, childhood,
and sentimentality from an ancestral and familial perspective
​
As a child, I would peel layers of putrid pomegranates
and plant their forgotten savoriness in my soul. Sentimental,
for seasons of flavored fruit my body has never eaten.
My tongue craves beloved tastes under fatherly sun,
extracted from the nostalgic palm of motherly love -
where satisfaction is more than a childbearing promise,
but a kept birthright.
​
My spirit envisions lineages to be conservative, classically
unending. My fingers were never fermented in normalcy,
but my body can't help but believe in sanity, yet my throat
detests the disappearing scent of pomegranates.
​
Spring never once blossomed into my place, No floral fruition
of familiarity, no blood blooming under the intimacy of spring.​
I can only recall the grim of pollen, its aroma, unfair and unsettling.
When new beginnings feel like death, unsolicited blessings
like nightmares - when did pomegranates become so
rotten in their ambiguity?
​
I always envies grapefruit's enrichment in tartness unconstructed:
so bitter, but dances in our mouths with sweetness soaked
in pleasure; so alluring on the mind, but unnerving on the tongue;
so flavorful in its flaws, yet enticing in our memories -
this is what you call home.
​
My pomegranates do not need to be coated from honey nectar
woven in the embracement of mother nature; Supremacy,
untampered; tenderness, unparalleled; perfection, unquestioned.
All I need is for it to purely be.
​
I can handle sour charms, the string of strange aftertastes.
But a rotting, decaying birthright is fatal. My bittersweet memories -
promised to me, and signed ancestrally, will satisfy my dying appetite.
1. Kayla's "Ancestral Hunger Feeds on Hollow Memories"
1. Molly Cleary (Vocals)
Leo Gao (Piano, Production)
Kirill Pudavov (Saxophone)
Hayden Shea (Guitar)
Lost & Found
by: SHAMU W., 2023
This is a poem about personal growth and finding yourself.
It's a grueling journey but one worth taking.
​
I've been left to believe
that if I wanted something to happen,
it would just because I worked for it.
​
But now I know
Just how wrong they were
It was all a lie.
​
I've tried to swallow my pride,
Hold my head up high,
And push past any doubts that form in the process.
​
It hurts to breathe or even think,
Knowing I'm trying my best -
Yet there's no one there to console or comfort me.
​
I want to say I'm proud of how far I've come
but I don't think I've ever felt satisfied with myself.
I wonder why that is...
​
It's not because I'm being hard on myself,
I like to think it's because I want to be humble.
But what does it mean to be humble?
​
Am I even visible?
What happens now?
I'm afraid that I'm not good enough.
​
Here I stand,
before a group of cynics and well -
It feels strange.
​
On one hand,
I know they're waiting for the moment I fail
The moment where I stumble and fall
​
But even when that does happen -
Should I crumble before them?
Truthfully, the answer hasn't presented itself yet.
​
I look amongst the sea of people
Hoping someone will finally see my efforts
Appreciate the work I've put in
​
But it feels impossible.
They say to follow the signs,
But what if those signs are sending mixed signals?
​
I think the problem is ...
I've been yearning to be found -
Without realizing all I needed was myself.
​
I don't need to find my way yet.
I'm fine taking the long road.
Isn't that what life's about?
​
So yes, I may be young
and yes, I may be lost.
But sometimes it's better to find my own way.
​
And who knows,
maybe I'll finally be able to look at myself
and feels a sense of accomplishment.
Because after all,
Isn't that what life's about?
"Lost & Found"
Credits
D'ahja Stanley: Vocals
Nathaniel Keller: Saxophone, Production
Manuel Valcarce Mascetti: Keyboard
Tony Slingerland: Bass
George Mac Devitt(Friend of Nathaniel, not in the class): Drums
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Letters
Nathaniel Keller:
Hello Shamu! Your writing is absolutely beautiful and I relate to Lost and Found heavily. I feel that the journey of a young writer and a young musician are similar in that our loved ones tell us to follow our dreams yet also they talk often about “reality” and “backup plans.” I think all of us on this project can relate and I think it shows in our piece. I hope so much that you enjoy what we have come up with. Write on!
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Manuel Valcarce:
Hi Shamu,
Thank you so much for your poem and your video, the way you speak about the struggles of being an artist reminds me that we are never alone. When I first read your poem I felt touched, and after watching your video I think I understand why: coming from a family where everyone works traditional jobs the pressure of being an artist is so heavy. It makes us feel like we need to always work harder to avoid failure, and fills us with doubt along the way. Just as you said, our desire to stay humble makes it so difficult to acknowledge any success we have, even when it was earned from hard work, because the fear of failure is looming, and it always seems like we haven’t done enough to deserve satisfaction. Hopefully our music will be able to convey some of those same feelings that you so wonderfully put into words, thank you once again.
enough
by: Mahdia Tully Carr, 2023
This piece is about the societal pressures put on young women and
girls to appear attractive by society's standards.​
​
If to you I am not good enough
but to them I am the standard,
if to them I am too dark to be pretty
but to you I am beautiful.
If I cannot fit inside the boxes that
everyone tells me I have to fit
in, then am I nothing after all?
It's unfair that being exactl who I am, how
I was was bron
isn't enough. I have to
hide behind ideals I can never reach
to be the person the rest of the world wants.
But the world is indecisive, and
I can never be what everyone wants.
I can never be good enough for
everyone
and not just me?
When can I stop changing myself and my body,
when can the body I was horn with be
good enough for the world.
If I like it, it should be okay.
But it's not,
and I'm
not.
enough
3. Brandon Spendlove
Justin Wang: Sax
Xinyi Wang: Vocals
Isaiah Javier: Guitar
family, my home 家人, 我的家
By Morgan Lin
I was born head first, feet last,
protruding from the womb backwards
in the midst of it all, my gravity earned
through subsequent tumbling, crawling, trying,
somersaults.
my ancestors came from lush forests,
lantern-borne star expanses,
a familiar feeling of constancy
amidst storm as
fish soup and burnt mollusks slathered in hoisin sauce
waddled in their bellies.
somehow, through steady paces forward,
those once gleaming stars
faded, perch among piping hot
soup now stone cold
the muscle in my brain converts
hoisin to hollandaise sauce
like a thousand detailed JPGs
compressed into one PDF.
stories my ancestors shared in
words no longer known
translated through characters on
a computer screen
my grandfather’s downturned lips at
three words, eight syllables
one phrase: æˆ‘çˆ±ä½ i love you
overused
still unmoving, clear like
water pumped out wasted
arbitrarily used
黑莓 blackberry and 苹果 apple
overused
our long-loved language lost
my ancestors cry, tears of
laughter mingling with
sorrow.
how can they be happy when tomorrow
family bakeries become
graffitied condos
nightly bars, swanky hotels?
I remember only
three words including
ä½ å¥½ hello
Reflection:
When beginning the writing process for this piece, we spent several meetings combing through each line for the poem to draw out the feeling, intention, and direction of the poem. We were especially interested in the aspect of tone in the poem, and felt that an ambient accompaniment to the poem being read aloud would fit best. We were drawn to imagery about language, thunder, and modern technology, weaving these elements into our musical composition. We also researched traditional Chinese music, seeking a source of harmonic and textural inspiration. Ultimately, we decided that the best way to record and present this work would be to have a semi-composed improvisation guided by the words of the poem spoken aloud; we wanted the poem to feel like an instrument alongside our own. It deserved an equal voice, an equal presence in the composition.
Credits:
Form and composition by: Kate Weisman, Channing LauEngler, Micah Daryl Ivor Perry, Vincent Liu, Griffin Morgan, Elise Durkin, Roberto Aparicio
Cello - Kate Weisman
Guitar - Micah Daryl Ivor Perry
Keys - Vincent Liu
Percussion - Griffin Morgan
Sound FX - Elise Durkin
Poem reading - Channing LauEngler
Recording & Midi - Channing LauEngler
Becoming
-kaytheepoet (kayla dudley)
i stand at the edge of who I was,
a girl shaped by whispers and wounds,
taught to shrink beneath the weight of the world,
to blend into the shadows where they wouldn’t look.
but I am more than silence—
more than the names they gave me,
more than the skin they fear yet envy.
each day, I shed a piece of their expectations,
peeling back the layers of too much,
too bold, too loud, too black, too woman.
my hair grows like protest,
twisting and turning toward the sun,
refusing to be tamed.
my voice rises like a hymn,
untangling centuries of no,
and weaving them into a single, defiant yes.
i walk through a world that demands my erasure,
yet I leave traces wherever I go–
footprints of resilience on broken glass,
poems carved into the marrow of my bones.
i am the storm and the stillness,
the rage and the healing,
the daughter of survivors who learned to thrive.
they call me too much,
but I am not enough for their boxes,
too vast for their cages,
too bright for their dull gaze.
i am becoming—
A revolution in flesh and spirit,
a black woman unfurling her wings,
ready to soar beyond their reach.
Reflection on this experience..
When we were tasked to create a response to Kayla Dudley’s poem “Becoming”, we may have ‘jumped the gun’ a bit. We read over her poem, but in the beginning we weren’t paying so much attention to the words as we were the music. We soon decided we had to take a step back and really acknowledge the contents of Kayla’s words—we needed to focus on the message. Anna Celeste and Shaza began coming up with lyrics for our song that were very reflective of the poem. This changed our whole perspective..
The creative freedom we had in this project was refreshing and helpful, but being able to flesh out all our ideas while staying true to the vision and intentions of Kayla’s poem is really what started to get us moving. Something that stood out to us was definitely listening to the singers do different takes of their parts as it was during those moments when they were repeating the lyrics that the weight of the poem’s message really set in. All in all, this project was such a fun experience that was new to all of us! Having Kayla’s poem to guide us was absolutely essential—we couldn’t have done it without her powerful words on becoming oneself.
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Credits:
Vocals: Anna Celeste Stentebjerg-Olesen || Shaza Murigande
Chords/Keys: (Everyone)
Guitar: Destiny Green
Cello: Minyu Cao
Bass: CJ Jones
Drums: Arranged by Amani Cain
Recording/Mixing: Ben Buchalter