From June Redmer or process: "For this project we started by discussing which part of the video we wanted to focus on, eventually landing on the spoken word part. Then we discussed different types of "feels" we wanted, and after playing around with different ideas we ended up using a sort of pedal-point based concept where we have one note that stays constant and then gets recontextualized by the things happening around it, reflecting the way Felicia's poem comes back to certain phrases and concepts but with different contexts.  After this we recorded a lot of samples of people singing the same note, along with breath noises and little soundbites from the poem we felt were impactful. We chose to add breath noises because of the juxtaposition of life and death in Felicia's poem. After we recorded all the samples I then used logic to manipulate them and create a really atmospheric texture, with a focus on timbre and harmony and not so much rhythm. I also focused on leaving spaces between musical events to sort of replicate the cadence of Felicia's poem, but on a more zoomed out level". - June Redmer (on process)